The work is an ongoing inquiry into human capacity — specifically the capacity for internally generated attention, and what becomes possible when the conditions for it are coherent.

The instrument is a simple rule-based drawing system in which a geometric grid is established and filled incrementally, working in ink or other irreversible media without revision. The structure is fixed; the response within it is free.

Participants entering the field assume increasingly similar postures over the course of a session, lowering toward the work as sound recedes and conversation falls away. Attention becomes observable and consistent across those who enter the conditions.

The conditions are defined by a balance of constraint and autonomy, established through a fixed structure and repetition over time. The conditions apply to all within the field, including their author, who works either alongside participants or in parallel. The resulting forms remain with their makers.

What the field produces is documented rather than assessed. Each field constitutes a bounded instance of the work, recorded through participant drawings, documentary images, and observational notes. The work accumulates rather than concludes.

The Archive presents the fields as they occurred. Field Studies present curated selections of participant work, the artist’s work, and documentary images.